Where do artist’s ideas come from? What inspires them to begin the creative process? Is it something outside of themself like a person, a space, an experience, nature, urban life, music?  Or is it internal like moods and emotions, philosophies, critiques? Does it reference an artist from the past or a cultural style or is it a continued exploration of the artist’s previous work?

PAQA-South members have created multi-layered textiles joined by stitching and shared the inspiration behind them.

April 5–May 13, 2023
Page-Walker Arts & History Center; 119 Ambassador Loop, Cary, NC 27513

  Works for sale are denoted with the sales price within the artist's statement. Please contact the artists directly with sales inquiries.


Respiration

Marian Zielinski

 

Respiration (34" x 39.5") "We speak of 'inspiration,' and the word should be taken literally. There really is inspiration and expiration of Being. ... The world and I are within one another."

These words from Maurice Merleau-Ponty resonate at the center of my self-portrait. All that has formed my identity, what I have “inhaled” from the world, what becomes my inspiration is garnered from my embodied experience in the world; what I "exhale" in my expression as an artist is my unique way of seeing and responding to that world and my presence in it.

Letting Go

Marian Zielinski

 

Letting Go (41" x 31.75"). For me as an artist, inspiration is an awakening. It is that which allows me to see something I’ve seen hundreds of times as though I’m seeing it for the first time. Nothing does that more readily for me than changes in light. The luminous interplay of light and shadow at times can be quite dramatic, sometimes subtle, but always offering something new to see. When visual stimuli touch consciousness in the present moment allowing us to let go of past preconceptions and future expectations, it offers the possibility of novel experiences, interpretations, and insights.

Blue Lava

Marian Zielinski

 

Blue Lava (35.25"x36"). As an artist, I am inspired by the elemental substances and energies of the earth and how they feed human imagination. “Blue Lava” comingles imagery of earth, fire, and water, portraying a moment in flow.

Quarter Log Cabin

Diane Wold

 

Quarter Log Cabin (41"x41"). The design was inspired by the traditional Quarter Log Cabin quilt block, but with the "logs" patterned with piecing. $1,000

Irrigation Circles

Diane Wold

 

Irrigation Circles (51.5"x34.5"). Inspired by aerial views of the circles created by irrigation. $1,200

A Sea in Turmoil

Anna Shearer

 

A Sea in Turmoil (56”x56”) This quilt was inspired by seeing a beach as the sea got rough, the sky darkened and sand swirled around before a hurricane. The colors of sky, sand and sea seemed to spin in disjointed circles.

Gaudi Windows in Barcelona

Anna Shearer

 

Gaudi Windows in Barcelona (43"x74"). This quilt was inspired by a visit to La Sagrada Familia, Barcelona, Spain. The Gaudi-designed stained glass windows glowed against a dark background. Fractured light flooded the floors. Breathtaking and beautiful!

 

Abstract Irises in Shades of Purple

Anna Shearer

 

Abstract Irises in Shades of Purple (49"x56"). This quilt was inspired by the wide range of purple tones found in summer blooming irises. The right amount of bright yellow appears as streaked highlights, reminding me of the rich contrasts in nature.

Cat Nap

Penny Sharp

 

Cat Nap (12"x12") When I received this photo of my granddaughter's kitten, I was inspired to try and capture the innocence it represented. Regardless of what they're like when they are awake, babies of all kinds look innocent when they sleep.

Toby

Penny Sharp

 

Toby (12”x12”) Toby is a wonderful elderly Plott Hound who enjoys his walks with his nose very close to the ground. I've enjoyed many walks with my son and Toby. I was inspired to try and capture his "view of the world," which is through his sense of smell.

Rising Mist

Joan Rutledge

Rising Mist (18”x26”) Nature and it’s varying moods are my inspiration. Rising Mist grew from my fascination with how light plays through the trees to create beautiful patterns in the water and sparkles on the reeds along the water’s edge. As I take morning walks, I am drawn to the light rising and take lots of photos. Using my memory and my photos I created a watercolor which I had printed onto fabric, and then quilted and embellished with textures. $700

Molly and Sadie are Ready to Party!

Mary Ritter

 

Molly and Sadie are Ready to Party! (30”x30"). Traveling the world can be very inspirational! Molly and Sadie were mannequins in a store window in Honfleur, France when I photographed them. Little did they know that the pandemic would trap them there for months!

Kauai Aloha

Mary Ritter

 

Kauai Aloha (26"x24”) Cock-a-doodle-do! The rooster was inspired by the sunshine; I was inspired by his persistence!

 

Capricious Copper

Vicki Price

Capricious Copper (21" x 23"). Copper has so many shades and textures. Copper wires, copper pennies, copper skies at sunset. From skin tones to metal, bright brassy highlights to deep rust, copper is outside the color spectrum - a rebellious color.

Capricious Copper is an off-beat, improv, almost-plaid that breaks all the rules. A little bit geometric, a little bit ombre, a splash of metallic that glows.

The original inspiration for this piece was a guild-generated challenge to make a monochromatic quilt. I picked a not-really-a-color and a not-so-square layout, grabbed every copper-related fabric from my stash and threaded them together. $150

Rhombus Rumba

Vicki Price

Rhombus Rumba (28"x26"). If you took a square and twisted it, painted it purple and made it dance a rumba, this is what you'd get.

Rhombus Rumba repeats the same shape in hues of pale grey, lavender, and deep purples, swinging its hips from side to side, inviting you to join in.

The original inspiration for this piece was our PAQA Common Threads group prompt: make a quilt using one shape. I decided to make the shape move with an unconventional layout and distinct directionality. Movement captures the eye and brings the viewer back for another look. $400

 

Orange

Vicki Price

Orange (30"x30") Starkly geometric, an orange uroborous, both round and square. It cannot be explained. It has no elemental meaning. It is purely abstract, so it will be called Orange.

Often colors alone are enough to spark imagery, just as music can evoke memories. Colors woven together, taking the eye around a shape. For me, this is the purest inspiration for a new piece.

Orange is a 3-dimensional wall hanging, quilted and bound, separate but intact, a whole surrounding a hole. $400

I Did It My Way

Roberta Morgan

 

I Did It My Way (29”x21"). An art book from the local library that celebrates women artists was the inspiration for this wall hanging. These unstoppable artists gave me ideas and insights into there is no “the wrong way,” it’s simply my way. It is OK to be free to bring my own creativity to each quilted or art project. I did that with this piece and will continue with future projects. Having ideas and philosophy reinforced by other women is very satisfying and freeing. No one will say “she didn’t follow the rules.” $200

Running in Circles

Roberta Morgan

Running in Circles (22”x22"). The inspiration for this wall hanging came from a friend who said she’d spent the last few days “running in circles.” That statement got me thinking that we have all done that. This piece is my illustration that circles have great meaning in our lives. $150

Sleeping Beauty

Lena Meszaros

Sleeping Beauty (47.25"x37.5"). I have been fascinated by the Sleeping Beauty story since I was a child. At first by the romantic elements, the fairies, the blessings and the curse, the prince charming. Later, I thought how lucky she is to be able to sleep and not go to school! But it was as I grew up and became an adult that I understood the symbolism of this initiation tale. It is the story of a 15-year-old girl who pricks herself with a spindle - in flowery language, the first blood means that she becomes a woman. In full physical growth, but very vulnerable, she is not ready to assume this part of herself. She closes herself in a dream, in an impenetrable castle as long as she is immature and not ready for love. Do not look for the prince in this picture! The prince is in her head and he will arrive when she decides. And the story took me back to my own doubts and indecisions as a teenager.

Reflections in a Swamp

Nancy Lassiter

 

Reflections in a Swamp (12"x12") The Francis Beidler Forest is an Audubon wildlife sanctuary in low country South Carolina. The two-mile boardwalk provides photo opportunities in the world’s largest virgin cypress-tupelo swamp forest.

Our Son Lived in NYC

Nancy Lassiter

 

Our Son Lived in NYC (24"x20"). When visiting our son, Brooklyn was a wealth of colorful graffiti. Then Covid came. Our son and his wife packed a rental car and drove to North Carolina. They intended to go back, but didn’t want to risk the virus. Eventually movers packed up everything in their apartment and shipped it to LA. Now we visit them there. $500

Brooklyn Graffiti

Nancy Lassiter

Brooklyn Graffiti (27"x16.5"). Brooklyn is known for its graffiti. I photographed this particularly strong design. The free-motion quilting I added is intentionally jagged and unstructured, reinforcing the spontaneous expression. $275

Got Fish?

Rheta Kirk

 

Got Fish? (26”x26”) There was a challenge presented to use Matisse's "Cat With the Goldfish" painting to create an art quilt. We could pick a part of the painting or a particular color that would inspire a unique image. I decided to use my Kaleidoscope Kreator software and eventually came up with this design. It depicts the cat's head (yellow) with his paw in the fishbowl trying to catch one of those orange fish. There are 176 individual pieces that make up this image.

Queen of the Prairie

Rheta Kirk

Queen of the Prairie (20"x23") Pounding flowers is one of my favorite techniques for creating art quilts because each one is truly an original design. Seeing what develops when I pound those plant materials with my hammer inspires my fabric choices to complement the flower color. The quilting design, which usually ends up being micro-quilting, allows the flower images to "pop," making a more pleasing visual image. "Queen of the Prairie" is the featured flower for this piece. It grows about five feet tall and has massive blooms that look like cotton candy. The ferns add nice contrast to the bright pink. $200

Bloodroot

Kathy Johnson

Bloodroot (12"x16"). Seeing the pure white petals of the Bloodroot wildflower in early spring makes my heart sing! I am inspired by its ability to push through the thick leaf matter after a long time underground. Its green leaves and white flowers form a thick carpet over the brown leaves along a hill in our woods. I use a lot of botanicals in my work,so seeing these early wildflowers inspires me to think ahead to nicer weather when I can work outside gardening, photographing my flowers, or working on an art project. $400

Horses of a Different Color

Barb Ingersoll

Horses of a Different Color (21”x29”) I have studied artists and writers since childhood. Some of my favorite artwork has focused on horses and how artists expressed the spirit and dignity of the animals. One such artist, Franz Marc (German, 1880-1931), was an Expressionist who painted horses in many situations and in many colors. Horses of a Different Color is my tribute to Marc’s work.

Cosmic Party

Barb Ingersoll

 

Cosmic Party (30.5”x22”) Dreams are a source of inspiration – intentional or by random chance. I had a recurring dream in living color that was noisy and energetic, and unlike most dreams, did not go away when I woke up.
One day in my studio I pulled out colorful fabrics and laid them out without a thought to what would come of it. I usually plan a piece, but this quilt ‘made’ itself from the dream I could not shake. Cosmic Party was born…. and no longer inhabits my dreams. $650

Luminous Inspiration

Grace Evans

 

Luminous Inspiration (23.75”x23”) I am often inspired by moments of insight that feel like a gift - like a bright light has just cleared the fog of my present moment. This piece represents the collaborative nature I experience when realizing an idea and when making a piece of art. $575

In the Mirror

Barbara Elwell

In the Mirror (49.5”x49.5") Taking pieces of fabric and turning them into something that tells a story, evokes emotion or floods the mind with memories--real and imagined--gives me great satisfaction. Ideas and images become reality with color, cloth and texture. The needle works the patterns on the cloth; the smooth, repetitive motions are soothing, meditative. The hands finish the piece; the mind goes on to the next. $1,100

Zig Zag

Barbara Elwell

 

Zig Zag (39.5”x52") Taking pieces of fabric and turning them into something that tells a story, evokes emotion or floods the mind with memories--real and imagined--gives me great satisfaction.
Ideas and images become reality with color, cloth and texture. The needle works the patterns on the cloth; the smooth, repetitive motions are soothing, meditative. The hands finish the piece; the mind goes on to the next. $625

Ornamentea

Michiele Elliott

 

Ornamentea (33"x17") I am inspired most by the materials I gather. Scraps of fabric, beads and threads of all kinds are the catalyst for ideas. Pulling them together, seeing how they interact and what story we will tell is the essence of my art quilting. This quilt is named after a long-gone bead store in Raleigh which I happily visited often. $450

Multiplication

Gwen Brink

 

Multiplication (43”x47”) Newly weaned cottontails: ears just barely poking above the new spring grass. But wait! What happened to my vegetable seedlings, my favorite flowers, my herb garden? Adorable baby bunnies or menacing pariah? Which are they? $800

Rachel’s Blues

Gwen Brink

 

Rachel’s Blues (50”x51”) In my search for images of inspiring improv quilts, I came across a 16-block log cabin housetop variation by Gee’s Bend quilter Rachel Carey George (1908-2011.) Rachel’s Blues is a tribute to Rachel and her mastery of composition, contrast, spontaneity, and making-do. $800

My Tribe

Miki Adams

 

My Tribe (55”x60”) This quilt was inspired by a group challenge and the fabrics the 11 challengers brought to the project. The fabrics were thrifted -- no new fabric could be purchased -- by the challengers. Fabrics were divided evenly, then taken home for interpretation. In this quilt, the donuts were cut from the 11 challenge fabrics. The background fabrics were my choice. $1,200

Community Garden

Miki Adams

Community Garden (60”x60”) I find aerial views of land and cities fascinating. This quilt started as an experiment using a design technique called floating squares. Only scraps were used for the squares. 3/4 of the way along, the design called out for a bit of drama. The green oval provides that. The finished top named itself. $1,200