ARTQUILTS going forward
In the spring of 2020, the world changed. Whether a dramatic shift or subtle alteration, everyone has been affected. What do you miss? How are you adjusting to present times? What is your vision of how we will live together going forward?
As the town of Cary, NC celebrates its sesquicentennial, we as quilters, we will look back at what was, make sense of the present and imagine the future.
Jurors: Marguerite Jay Gignoux & Susan Brandeis
A very special thank you to Nancy Lassiter for creating the logo. Thank you!
Works for sale are denoted with the sales price within the artist's statement. Please contact the artists directly with sales inquiries.
Congratulations Award Winners!
🏆 Jurors’ Choice Award Winner:
These Colors Should Run
Rachel Ivy Clarke
These Colors Should Run (22.5x28.5). My work is motivated by the juxtaposition of hard data and soft textiles, using fabrics and colors to visualize information in a tangible, visceral way. This quilt represents the (lack of) gender and racial diversity in the US Senate during the 116th Congress (2019-2021). Every blue triangle in the star field represents a female senator; the red stripes represent the proportion of non-white senators. Going forward, this clearly needs to change to ensure fairer and more just representation.
🏆 Jurors’ Choice Award Winner:
Opposite?
Eunhee Lee
Opposite? (39.5x28.5) I was inspired by ” X,O” painted on the wall, and I used this symbol to represent thoughts such as ” discord, disagreement, disunity, opposite, etc”.
Theoretically, “X” and “O” clearly represent the “opposite”. But in the real world we live in, it does not seem to be. At some point, “X” may become “O”, and at another point “O” may be “X”. I think this is a situation that often happens in reality. Thus, in reality, I tried to express in my piece the thought that a lot of “X” and “O” are mixed.
Discovery 1492
Miki Adams
Discovery 1492 (24.25 x 30.25). I’ve been a printmaker, painter, and quilt-maker. I began making “art” quilts in 2008 when I wasn’t able to make BIG paintings. My work is improvisational, meaning I don’t begin with an idea of the final product. Fiber art for me is PLAY. During the Covid-19 lockdown I thrived; tried new fiber techniques; and created some of the best (fun, satisfying, whimsical) work of my life. Most recently, I’ve explored maps as a visual starting point. For me now, they chart a way forward to new discoveries. $500
Illuminated
Patricia Arndt
Illuminated (40x21). The power, the rage, the confusion, the indignation of our very selves have touched me greatly. The core of my very being is expressed through the color and stance. The birds express the collage of emotions I have gone through. And yet, the blossoming of flowers are living proof of the growth we have had the opportunity to be a part of. Coming out of this pandemic, I do so with new eyes to the future. Hope is rampant, love wins. My life will be more in tune with what is real and meaningful. $1,022.
Broken Dreams
Judi Bastion
Broken Dreams (34x 23). Going forward we must work together as a community, connected together to grow stronger. 2020 has shown that individuals following their own way have contributed to the rapid growth of the pandemic while those who have received strong, clear leadership and messages have fared well. Communities that are diverse and connected thrive.
Broken Dreams shows an abstract view of connections that support disparate parts. $300
Connections
Katie Bland
Waves of Optimism
Katie Bland
Waves of Optimism (47x29). One attribute that helped me cope with our changed life was a sense that things would get better. It is optimism that inspired me to volunteer for the vaccine trial. This piece demonstrates the hope that I have held that things will get better and there is hope. I used the bright colors surrounded by black to represent optimism as a choice. I used curved seams to demonstrate that there have been ups and downs as we look forward.
60 Degrees, More or Less
Pam Calderwood
60 Degrees, More or Less (39x46). With this quilt I chose the color palette first and chose the triangle motif second. I wanted to discover how a quilt of only triangle would come together with a limited palette. $499
Block Print
Pam Calderwood
Block Print (44x46) The challenge was to use only black and white. I had recently taken a block printing class and wanted to try to recreate the feeling of the block prints in this quilt. $699
Candy Shop
Pam Calderwood
Candy Shop (45x45) A medallion quilt was the inspiration as well as the chosen fabric selection. The fabric is happy and my intention was to create a happy quilt. $399
Path to the Light
Vicki Conley
Path to the Light (48x32) This piece adopted additional symbolism as I stitched during quarantine 2020. As a southwesterner, the swampland is a strange landscape to me. The dense forest felt like a cage, but during this time of feeling shut-in, the piercing sun is a pathway to the light, hope for a brighter future. One of the things I enjoy most in the parks are the ranger guided hikes and programs which give a fuller insight into the park. As I visited national parks in the northwest in the summer of 2020 I really missed these ranger programs. My series of National Park poster quilts are original designs inspired by the style of the WPA posters of the 1930’s. $2,000
Paths Seldom Traveled
Vicki Conley
Paths Seldom Traveled (48x32). One of my favorite things in the national parks is exploring the visitor centers. This summer I traveled to national parks in Washington and Oregon and although I enjoyed the hiking I really missed the visitor centers as they were all closed due to Covid-19! The steepness of the Black Canyon of the Gunnison prevents the average hiker from venturing 2000 feet down the rocky slopes. Most of us just stand in awe at the rim. My series of National Park poster quilts are original designs inspired by the style of the WPA posters of the 1930s. $2,000
The Biggest Park
Vicki Conley
The Biggest Park (48x32) I just retired in 2020 and my husband and I were planning a return RV trip to Alaska for 4 months in the summer however, due to Covid-19 our plans were dashed. Wrangell St. Elias National Park, the largest National Park, was one of our favorites when we visited in 2014. Full of history and grandeur from the historic Kennecott Copper Mine to tidewater glaciers and 9 of the tallest peaks in America this park is not to be missed. My park series quilts are based on my own photographs and drawings and done in the style of the historic WPA posters. $2000
Glimmer
Mel Dugosh
Glimmer (37x 43). The headlight of a locomotive is called a glimmer as is the light is cast from an approaching distance. Much like that headlight, we embrace the glimmer and arrival of much-needed peace and restoration of unity.
Aching Absence
Gwen Edwards
Aching Absence (36x54). During 2020 physical interactions are achingly absent; even with closed eyes, you know who is hugging you, as you give and receive comfort and reassurance.
The applique arms of this quilt, the gaps, and energy lines, embrace you. Sun-bleached recycled whole-cloth: like faded memories, some parts are stronger than others.
One set of applique arms uses a machine applique tablecloth; serendipitously, the middle finger was placed along a line of hardanger embroidery, creating a line of rhythmical voids. Indian hand mudrās are used in meditation; the Shunya Mudra uses the middle finger to represent the psychic gesture of void or emptiness.
Adventures Shared, Together Stitched
Gwen Edwards & Mary Brewer
Adventures Shared, Together Stitched (58.5x40) My Mother-In-Law, Mary, lost her husband Martyn at the start of the UK’s first lockdown. During this time of profound grief and alone-ness we shielded her from the outside world.
Time warped around us, stretched and compressed as we waded through emotions together. The slow hand stitching of memories served as a distraction, distorting the past and the future, yet each stitch proved that time was passing, as we navigated placement, colour, method.
Each element captures a memory of things that the four of us had experienced together, commemorates an event, or embraces a shared adventure yet to come.
Calm Waters
Ann Flaherty
Calm Waters (48x12). Certainty is knowing the moon will rise, shimmering on waves rolling in and out. The best things in life are free. Created with raw edge and fused appliqué, fabric paints, machine quilting, and imagination. $450
Witness to Mercury Rising
Ann Flaherty
Witness to Mercury Rising (23x17.5) The mercury has been rising since 1619 for all ‘nonwhite’ Americans. In 2020, the racism has almost burst the thermometer. Perhaps, now, We Shall Overcome. $300
Nancy’s Larks
Jeanne Hewell-Chambers
Nancy’s Larks (34.5x44.5). It is my fervent hope that one day we will take our cues from the indiscriminate pandemic and my childlike sister-in-law Nancy - the woman mentally disabled since hung from a swing set at age 3; the woman with a vocabulary of about 12 words (6 of them the word “love”); the woman who drew these bird-shaped beings - and replace discrimination with loving curiosity; violence with non-conditional respect; and condescension with a commitment to listening with the intent to learn, even when the voiced perspectives differ from our own. May this one day be our reality. $1,700
Playground of Her Soul
Jeanne Hewell-Chambers
Playground of Her Soul (56x57). When neighborhood teens hung my sister-in-law Nancy from the swing set at age 3, her body lived, though her brain was permanently altered. She, like the pandemic, doesn’t discriminate. She doesn’t know how to hate, vilify, judge, or reject. As we move forward out from under the pandemic, may we kick the shutters off our hearts and minds, resolving to treat others - no matter how different they may be - with courtesy and respect, kindness and compassion, tenderness and wonder. $3,800
Promise of Better Days Ahead
Kathy Johnson
Tubes
Evelyn Judson
Tubes (16x14.5) A study of a detail of a sculpture in the Rocky Mountains. Menaced the autumn of 2020 by the massive wildfires, that canyon eventually was spared. Sheet metal tubes let you see the world beyond. $250
On The Road
Lee Eunhee
On the Road (25x19). The cool and refreshing memories that I felt as I passed the road across the green field. The memory that I walked down that road watching a beautiful evening glow. I stood on the beach road and saw the blue sea and sky, I remembered admiring the scenery. These memories are include in this piece. I wanted to express those memories of ” road ” by simplifying the color of the scenery and the shape of the road. It was nice to be able to think through the medium of “road” that the memories that I felt at one time in the past while creating this piece. $700
We Are All Lights
Lena Meszaros
We Are All Lights (48x38). We live in an exploded, wounded world, we all have to watch helplessly our normality being shattered. There is no returning to an old life, we have to build the new one. We cannot expect the world to change around us and to magically become more livable. It is obvious that we must seek change within us. The new world can only be built with a collective awareness, a strong understanding of interdependence that emerges from the ruins of the old one. In the light of this awareness, every individual in their respective place can move forward, enlightening the way. So, step forward and shine: YOU are the light!
Adagio
Joan Rutledge
Adagio (24x19.5) As a result of the quarantine I have found myself walking in nature, and have been taking a lot of photographs. I choose to walk without electronics and instead listen to the wind and the leaves. Adagio is a result of compositing several photos and subsequently printing the result on silk. Adagio refers to a slow rhythmic movement. Italian, from adagio ‘at ease’. Hopefully, 2021 is a year we could use some ease. $500
Out of the Shadows
Joan Rutledge
The Creative Hand
Carolyn Skei
The Creative Hand (31x24). Nothing in the days of Pandemic isolation helped me to go forward more than art quilting. And none of my work is more forward-looking technically than this whole-cloth quilt. It began with an iPhone “selfie” of my hand, then made its way through iPad algorithms, Photoshop manipulation, and commercial printing on cloth. I’m often amazed at what busy fingers and strong hands can achieve, so it was an improvisation in machine and hand-stitching that then propelled me toward the quilt’s completion. My creative hands never fail to take me forward to a more hopeful day. $1175
Eruption
Cynthia Steward
Eruption (59x19) Sometimes unseen forces cause enormous change. Like an earthquake they can devastate our lives and shake us to the core, but something new arises to fill the chasm. This piece works through that process change.
Looking Forward
Cynthia Steward
Looking Forward (31x25) There are times in life we reach a point that requires a change, a leap of faith, a new beginning. This work celebrates that point of change and the decision we make to move forward.
Memories-I
Denny (Denise) Webster
Memories-I (22x17) After a long life, one of the largest regions of my interior world involves memories. These images of the past overlap, intrude, advise, and raise questions. Are they even personal memories or have they crept into my dreams from my ancestors' lives?